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Drexciya
Grava 4

Grava 4

Artists

Drexciya

Catno

CAL009RE2023

Formats

2x Vinyl 12" Black Vinyl

Release date

Genres

Styles

Drexciya presents Grava 4. Earth has finally discovered Utopia.

Drexciya presents Grava 4. Earth has finally discovered Utopia. (Drexciya Home Universe) Earth scientist discovered the home planet of Drexciya on 2-14-2002. Within moments Dr. Blowfin was given the orders to initiate the seven dimensional cloaking-spheres to hide the other three planets from earths view. The star chart is authentic; you will be able to find the star by using the coordinations on the star chart. The planet Drexciya can be found in the international star vault in Switzerland & recorded in the astronomical compendium.

>>> Updated artwork version for 2023, Black vinyl. <<<

Media: Mi
Sleeve: M

31.99€*

*Taxes included, shipping price excluded

1

Cascading Celestial Giants

2

Powers of The Deep

3

Drexcyen Starchambers

4

Gravity Waves

5

Drexcyen R E S T principle

6

Higtech Nomads

7

700 Million Lightyears From Earth

8

Astronomical Guidepost

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"How that time has gone, vanished beneath night’s cover, just as if it never had been! The wall, wondrous high, decorated with snake-likenesses, stands now over traces of the beloved company. The ash-spears’ might has borne the earls away—weapons greedy for slaughter, Fate the mighty; and storms beat on the stone walls, snow, the herald of winter, falling thick binds the earth when darkness comes and the night-shadow falls, sends harsh hailstones from the north in hatred of men.All earth’s kingdom is wretched, the world beneath the skies is changed by the work of the fates. Here wealth is fleeting, here friend is fleeting, here man is fleeting, here woman is fleeting—all this earthly habitation shall be emptied."— Exeter Book (1072)
I would often wander into the forest after school. This wasn’t Sheffield, or Manchester, as much as I thought I wanted it to be. Sometimes the mushrooms we picked would make me sick, which added a vital sense of adventure to the days and weeks that could pass without much happening at all. Something to talk about, a story we made together. It was a dead city. Not great, not terrible. Nothing to break an illusion. We had no idea what we were doing, but a reality check was the last thing we were looking for. Wasted from the youth centre, we would go and listen to people spin records at Skandal. The melodies in The Cure songs lingered with me for days. I wanted to make my own music. I started to leave early and bang onmetal into a microphone. I saved up and bought a Casio FZ-1 sampler and drum machine. We poured ourselves into bands. We would stay in and practice, programming MIDI on an Atari ST-1024. Nobody would hear this music. My Korg MS-10 was stolen by an ex-band mate from our rehearsal basement. I would dive inside myself, burrowing a tunnel to a new world. Configuring an inner system. A fascination with Clock DVA became an obsession with techno. KLF. Future Sound of London. Themelancholy was still there, in traces, but it was moving somewhere, looking for company. Growing. Ecstatic. Ecstasy! I left the basement to share this with others. I moved to the big city and the music got faster. My process got faster. Collaborations. Plug-ins. That’ll do. Take it to the people! What used to be a personal practice became a public practice. A call and response. A communal effort. Abstract numbers heard this music. My technique sharpened. My studio served a function greater than my own; a system outside myself. Then I found the DAT tapes, and the VHS footage. They had traveled with me. Far from a nostalgic exercise, this was a reclamation of the original impulse. A reminder of the music I always wanted to make. Reorientingmyself with analog machines and obsolete formats, I stole hours to bring this work into the world. I hope that it speaks to you.